list of works

(by category)

recordings

orchestra | large ensemble | chamber | solo | electro-acoustic | percussion | other

orchestra

individual objects (2009) 7 minutes ~

orchestra

3.3.3.3 | 4.3.3.1 | 2 perc, Piano, Harp | Strings

commissioned by the London Symphony Orchestra as part of UBS Soundscapes: Pioneers

first performance, LSO, Gianandrea Noseda, 26 October 2010, Barbican, London

thirty-five objects (2009) 7 minutes ~

orchestra

2.2.2.2 | 2.2.0.0 | timp. | strings 8.6.4.4.2

commissioned by sinfonia ViVA

first performance, sinfonia ViVA, André de Ridder, 28th March 2012, Royal Concert Hall, Nottingham

alizarin sun (2006) 7 minutes ~

orchestra

2.2.2.3 | 4.2.3.1 | Timp. 3 perc. Harp | strings

first performance, Hallé Orchestra, Rory Macdonald, 26 October 2006, Bridgewater Hall, Manchester

pintura escondida (2005) 6 minutes ~

orchestra

2.2.2.2 | 4.2.3.0 | 2 perc. | strings

first performance, Hallé Youth Orchestra, André de Ridder, 4 December 2005, Bridgewater Hall, Manchester

violet (2001) 8 minutes ~

orchestra

2.2.2.3 | 4.2.3.0 | 1 perc. | piano | strings

first performance, BBC Symphony Orchestra, André de Ridder, 31 March 2010, Maida Vale Studios, London, UK

large ensemble

orchestra | large ensemble | chamber | solo | electro-acoustic | percussion | other

twelve voices (2016-18) 1 hour 8 minutes ~

12 male voices

individual voices (2015) 5 minutes ~

alto flute, trumpet, trombone, vibraphone, electric guitar, voice, violin, viola, double bass, electronics

co-commissioned by the London Sinfonietta and the Royal Philharmonic Society

first performance, the London Sinfonietta, Juliet Fraser (voice), Ian Vine (guitar & electronics), 9 May 2015, Queen Elizabeth Hall, London

forty-five objects (2014) 24 minutes ~

45 electric guitars

on release, CDR/DL: forty objects/forty-five objects

forty objects (2014) 25 minutes ~

40 electric guitars

on release, CDR/DL: forty objects/forty-five objects

division (2013) 18 minutes ~

9 electric guitars with electronics

on release, CDR/DL: frieze/static form/division

ocre oscuro (2006-2007) 14 minutes ~

flute, clarinet, horn, trumpet, trombone, piano, violin, viola, cello

written for the London Sinfonietta under the Blue Touch Paper scheme

first performance, the London Sinfonietta, Richard Baker, 8 May 2007, LSO St. Luke's, London

[untitled] (2004-2005) 27 minutes ~

flute, oboe, clarinet, bassoon, horn, trumpet, trombone, percussion [1 player], harp, piano, electronics, 2 violins, viola, cello, contrabass

exact details TBC

writing on water (ensemble version) (2000/2003) 1 minute 36 seconds ~

flute, oboe, clarinet, bassoon, horn, trumpet, trombone, vibraphone, harp, 2 violins, viola, cello, contrabass

white river sand (2002) 10 minutes ~

flute, oboe, clarinet, bassoon, horn, trumpet, trombone, 2 violins, viola, cello, contrabass

first performance, Kokoro, André de Ridder, 11 Dec 2002, Lighthouse, Poole, UK

ten white leaves (2000) 10 minutes ~

flute, oboe, 2 clarinets (1+bass), horn, trombone, percussion, piano, viola, cello, contrabass

commissioned by André de Ridder

first performance, ensemble eleven, André de Ridder, 20 June 2002, Lust for the Ears, The music of Louis Andriessen, RNCM, Manchester, UK

shadow grounds (1999) 3 minutes ~

flute, oboe, clarinet, percussion, piano, violin, viola, cello

commissioned by the Huddersfield Contemporary Music Festival for ensemble recherche

first performance 28 November 1999, Lawrence Batley Theatre, Huddersfield, UK

espinas (1998-1999) 20 minutes ~

flute, oboe, clarinet, bassoon, horn, percussion, harp, 2 violins, viola, cello, contrabass

first performance New Ensemble, Clark Rundell (cond.), RNCM, Manchester, 21 June 1999

2001 revised version: London Sinfonietta, Garry Walker (cond.), 22 April 2001, Queen Elizabeth Hall, London

the other relics (1995) 8 minutes ~

mezzo-soprano, flute, oboe, clarinet, contrabassoon, bass trombone, percussion, 5 violas, 3 cellos, contrabass

text: James Kirkup, extract from No more Hiroshimas, 1960

first performed by Anna Burford (mezzo), New Ensemble, Baldur Brönnimann (cond.), RNCM, Manchester, 20 November 1996

chamber (2-6 instruments)

orchestra | large ensemble | chamber | solo | electro-acoustic | percussion | other

still pieces (2018) 60 minutes ~

3 flutes, accordion, 3 acoustic guitars, piano and electronics

on release, CDR/DL: still pieces

twenty-seven trios (2013/2016) 4 hours 30 minutes ~

3 electric guitars with electronics

film installation / individual concert works (10 minutes ~ each)

first screening, 24 January 2016, RNCM, Manchester, UK

replica (2013) 10 minutes ~

clarinet, vibraphone, 2 electric guitars, electronics

first performance, The House of Bedlam & Ian Vine (guitar), 30 October 2013, RNCM, Manchester

flawed copies (2011) 12 minutes ~

can be performed in any order/combination:

I: 1'45"; II: 1'23"; III: 4'00"; IV: 1'50"; V: 2'50"

version 1: oboe, horn, violin, cello, live electronics (optional)

first performance, 26 May 2011, Wilbraham St Ninian's Church, Manchester

perfect objects (2010) 15 minutes ~

flute, clarinet, violin, cello

first performance, Radius, 23 April 2010, National Portrait Gallery, London

moon phase (2010) 5 minutes ~

female voice, bass flute, cello

commissioned by Trio Atem with funds provided by the RVW Trust

first performance, Trio Atem, 26 February 2010, University of Manchester, Manchester

ohne titel (2008) 25 minutes ~

flute, horn, cello, multi-channel electronics

for Erika Hoffmann and the Sammlung Hoffmann

first performance, first moon, 2 March 2008, Sammlung Hoffmann, Berlin

fifty objects (2007) 3 minutes ~

flute, clarinet, violin, cello, vibraphone

first performance, Radius, 8 January 2008, Wigmore Hall, London

underpaintings (2005) 8 minutes ~

clarinet, violin, cello, piano

first performance, Radius, 20 April 2007, Wigmore Hall, London

a birthday card for Tony at 70 (2004) 3 minutes ~

string quartet

broken colour (2003) 17 minutes ~

alto flute, oboe (+cor anglais), clarinet, horn, percussion (1 player: 4 crash cymbals; tam-tam; glockenspiel; marimba)

commissioned by Ensemble Q with funds provided by Music On The Edge

first performance, Ensemble Q, 28 October 2003, Turner Sims Concert Hall, Southampton, UK

oro y sombra (2002) 10 minutes ~

soprano, violin, cimbalom, piano

commissioned by the Huddersfield Contemporary Music Festival with support from the Arts Council of England and Stephen Bell

first performance, Psappha, Sarah Leonard (soprano), 24 Nov 2002, St. Paul's Hall, Huddersfield, UK

blood on red (2000) 7 minutes ~

electric guitar, double bass (amplified), electronics

commissioned by [rout]

first performance, [rout], 23 November 2000, Huddersfield Contemporary Music Festival, UK

three black moons (1999) 15 minutes ~

clarinet, trombone, contrabass, tape

commissioned by The London Sinfonietta

first performance Hayward Gallery, London, 10 April 1999

Timothy Lines (cl), David Purser (tbn), Enno Senft (db), Ian Vine (tape), Ian Dearden/SOUND intermedia (sound diffusion)

(music for animation) (1998) 6 minutes ~

flute, percussion (vibraphone, triangle), electronics

performed by mallika & mcqueen, Ian Vine

music for Writer's block by Steven Buckler

first screening - Royal Society of Arts, London, 22 July 1998

koan (1997-1998)

koan (1997) 6 minutes ~

trumpet, organ

first performed by Peter Mainwaring (trumpet) and Jeremy Holland Smith (organ), Chelmsford Cathedral, 13 June 1997

second koan (1998) 7 minutes ~

trumpet, organ

orchestra | large ensemble | chamber | solo | electro-acoustic | percussion | other

solo

flute | piano | guitar | strings

flute

butterfly pieces for jen (2007) 3 minutes ~

6 pieces for flute (or piccolo, alto flute, bass flute)

for Jennifer George. the pieces can be reordered and performed in 720 different ways

first performance, Jennifer George, 2 March 2008, Sammlung Hoffmann, Berlin

thirty objects (2004) 3 minutes ~

flute

satori (2000) 5-20 minutes ~

solo flute

kôn tai né (1994) 4 minutes ~

solo flute

first performed by Susie Hodder-Williams, RNCM, Manchester, 23 January 1995

piano

limited edition 2011 (2011) 1-3 minutes ~

piano

A6 postcard (148x105mm)

strictly limited edition

limited edition VI 2010 (2010) 1-3 minutes ~

piano

first performance, Mary Dullea, 24 November 2010, The Forge, London

A6 postcard (148x105mm)

strictly limited edition of 50, signed & numbered

available to order directly from ianvine.com [here]

over 5000 individual works (2007) 14 minutes ~

piano

5040 different versions of the piece are possible

first performance: (over 5000 individual works #1642), Stephen Gutman, 26 November 2009, The Warehouse, London, UK

[postcard] (2006) 75 seconds ~

piano

part of eleven piano pieces

seventy objects (2004) 60 seconds

piano

first performance, Stephen Gutman, piano, 31 October 2004, Queen Elizabeth Hall, London

What Strikes the Clocke?, part of Birtwistle Games festival

postcards from chicago (2001)

piano

#1 70 seconds ~

#2 30 seconds ~

#3 60 seconds ~

first performance, Kate Dixon, 20 November 2003, Square Chapel Centre for the Arts, Halifax, UK

first moon (1998) 10 minutes ~

piano, [incomplete]

guitar

copies I-V (2016) 40 minutes ~

electric guitar & electronics

copy I 8 minutes

copy II 8 minutes

copy III 8 minutes

copy IV 8 minutes

copy V 8 minutes

on release, CDR/DL: copies I-V

static form (2013) 10 minutes ~

electric guitar & live electronics

on release, CDR/DL: frieze/static form/division

frieze (2013) 18 minutes ~

electric guitar & live electronics

and versions with other instruments

on release, CDR/DL: frieze/static form/division

always (2012) 10 minutes ~

electric guitar & electronics

[on release, held/always/immer/gehalten: limited 12" vinyl, DL]

untitled (2012) 4 minutes ~

unplugged electric guitar & electronics

[forthcoming on digital release]

immer (2012) 4 minutes 30 seconds ~

electric guitar & electronics

[on release, held/always/immer/gehalten: limited 12" vinyl, DL]

gehalten (2012) 15 minutes ~

electric guitar & electronics

or: 4 electric guitars

[on release, held/always/immer/gehalten: limited 12" vinyl, DL]

held (2012) 7 minutes ~

electric guitar & electronics

or: 3 electric guitars, 3 players; 3 electric guitars, 1 player

first performance, Ian Vine, 29 June 2012, KRAAK gallery, Manchester

[on digital release]

[on release, held/always/immer/gehalten: limited 12" vinyl, DL]

39-40 for Richard (2011) 5 minutes ~

electric guitar, electronics

first performance, Tom McKinney - electric guitar, Larry Goves - electronics, 24 June 2011, Spitalfields Festival, London

[digital release] Ian Vine - guitar, electronics

strings

[2520] individual works for violin (2012) 3 minutes 30 seconds - 4 minutes 20 seconds each ~

violin

2520 unique pieces

postcards (7 x A6 148x105mm)

flawed copies vc (2012) 9 minutes ~

flawed copy vc I (2012) 3 minutes 15 seconds ~

flawed copy vc II (2012) 2 minutes 50 seconds ~

flawed copy vc III (2012) 2 minutes 30 seconds ~

cello

can be performed in any order/combination/separately

burnt umber (2005) 10 minutes ~

viola

written for Paul Silverthorne under the London Sinfonietta Blue Touch Paper scheme

electro-acoustic

orchestra | large ensemble | chamber | solo | electro-acoustic | percussion | other

still pieces (2018) 60 minutes ~

3 flutes, accordion, 3 acoustic guitars, piano and electronics

on release, CDR/DL: still pieces

feedback pieces (2017) 45 minutes ~

feedback piece II (2017) 15 minutes ~

feedback piece III (2017) 8 minutes ~

feedback piece I (2017) 21 minutes ~

electroacoustic

on release, CDR/DL: feedback pieces

copies I-V (2016) 40 minutes ~

electric guitar & electronics

on release, CDR/DL: copies I-V

interstices (2015) 35 minutes ~

electroacoustic

facsimile (2013) 32 minutes ~

electroacoustic

facsimile (A6) (2013) 1 minute ~

electroacoustic

DL only free on SoundCloud

replica (2013) 10 minutes ~

clarinet, vibraphone, 2 electric guitars, electronics

first performance, The House of Bedlam & Ian Vine (guitar), 30 October 2013, RNCM, Manchester

division (2013) 18 minutes ~

9 electric guitars with electronics

on release, CDR/DL: frieze/static form/division

static form (2013) 10 minutes ~

electric guitar & live electronics

on release, CDR/DL: frieze/static form/division

frieze (2013) 18 minutes ~

electric guitar & live electronics

and versions with other instruments

on release, CDR/DL: frieze/static form/division

always (2012) 10 minutes ~

electric guitar & electronics

first performance, Ian Vine, 5 May 2013, Salford, UK

[on release, held/always/immer/gehalten: strictly limited edition 12" vinyl, DL]

untitled (2012) 4 minutes ~

unplugged electric guitar & electronics

[forthcoming on digital release]

immer (2012) 4 minutes 30 seconds ~

electric guitar & electronics

first performance, Ian Vine, 5 May 2013, Salford, UK

[on release, held/always/immer/gehalten: strictly limited edition 12" vinyl, DL]

gehalten (2012) 15 minutes ~

electric guitar & electronics

or: 4 electric guitars

first performance, Ian Vine, 5 May 2013, Salford, UK

[on release, held/always/immer/gehalten: strictly limited edition 12" vinyl, DL]

held (2012) 7 minutes ~

electric guitar & electronics

or: 3 electric guitars, 3 players; 3 electric guitars, 1 player

first performance, Ian Vine, 29 June 2012, KRAAK gallery, Manchester

[on digital release]

[& held/always/immer/gehalten: strictly limited edition 12" vinyl, DL]

39-40 for Richard (2011) 5 minutes ~

electric guitar, electronics

first performance, Tom McKinney - electric guitar, Larry Goves - electronics, 24 June 2011, Spitalfields Festival, London

[digital release] Ian Vine - guitar, electronics

flawed copies (2011) 12 minutes ~

can be performed in any order/combination:

I: 1'45"; II: 1'23"; III: 4'00"; IV: 1'50"; V: 2'50"

version 1: oboe, horn, violin, cello, live electronics (optional)

first performance, 26 May 2011, Wilbraham St Ninian's Church, Manchester

ohne titel (2008) 25 minutes ~

flute, horn, cello, multi-channel electronics

for Erika Hoffmann and the Sammlung Hoffmann

first performance, first moon, 2 March 2008, Sammlung Hoffmann, Berlin

seven with four (2001) 3 minutes ~

piccolo, flute, electric guitar, acoustic guitar, 7 classical guitars, electronics

Jennifer George (flutes), Ian Vine (guitars, electronics)

part of writing on water(second book)

blood on red (2000) 7 minutes ~

electric guitar, double bass (amplified), electronics

commissioned by [rout]

first performance, [rout], 23 November 2000, Huddersfield Contemporary Music Festival, UK

writing on water (2000) 1 minute 40 seconds ~

flute, 7 guitars, piano and electronics

commissioned by Matthew Herbert, premiere recording on Accidental [AC07CD] 2003

Jennifer George (flute), Ian Vine (guitars, piano, electronics)

writing on water (first book) (1999)

commissioned by Matthew Herbert

Jennifer George (flutes), Ian Vine (guitars, piano, electronics)

pieces from cycle may be performed individually

satellite (1999)  32½ seconds

flute, guitar and electronics

for jen (1999) 33 seconds

3 flutes, 3 guitars and electronics

small moon (1999) 30 seconds

flute, 4 guitars and piano

desert / catch (1999) 20 seconds

flute, 6 guitars, piano and electronics

three black moons (1999) 15 minutes ~

clarinet, trombone, contrabass, tape

commissioned by The London Sinfonietta

first performance Hayward Gallery, London, 10 April 1999

Timothy Lines (cl), David Purser (tbn), Enno Senft (db), Ian Vine (tape), Ian Dearden/SOUND intermedia (sound diffusion)

(music for animation) (1998) 6 minutes ~

flute, percussion (vibraphone, triangle), electronics

performed by mallika & mcqueen, Ian Vine

music for Writer's block by Steven Buckler

first screening - Royal Society of Arts, London, 22 July 1998

SIRI (1997) 5 minutes 40 seconds ~

solo percussion and tape (cd)

first performed by Peadar Townsend, RNCM, Manchester, 30 May 1997

percussion

orchestra | large ensemble | chamber | solo | electro-acoustic | percussion | other

X (2007) 8 minutes ~

solo percussion

first performance Adrian Spillett, 8 January 2008, Wigmore Hall, London

siri² (2000) 10 minutes ~

percussion quartet

commissioned by Adrian Spillett on behalf of 4-MALITY

first performance 4-MALITY (Jan Bradley, Geir Rafnsson, Adrian Spillett, Stephen Whibley), 17 May 2000, Corn Exchange, Newbury, UK

SIRI (1997) 5 minutes 40 seconds ~

solo percussion and tape (cd)

first performed by Peadar Townsend, RNCM, Manchester, 30 May 1997

other

still pieces (2018) 60 minutes ~

3 flutes, accordion, 3 acoustic guitars, piano and electronics

on release, CDR/DL: still pieces

[IV1801]

feedback pieces (2017) 45 minutes ~

electroacoustic

on release, CDR/DL: feedback pieces

[IV1701]

copies I-V (2016) 40 minutes ~

electric guitar & electronics

on release, CDR/DL: copies I-V

[IV1601]

interstices (2015) 35 minutes 36 seconds

on release, CDR/DL

[IV1502]

forty objects/forty-five objects (2015) 49 minutes ~

on release, CDR/DL

[IV1501]

frieze/static form/division (2014) 47 minutes ~

on release, CDR/DL

[IV1401]

twenty-seven trios (2013/2016) 4 hours 30 minutes ~

3 electric guitars with electronics

film installation

first screening, 24 January 2016, RNCM, Manchester, UK

division (2013) 18 minutes ~

9 electric guitars with electronics

on release, DL only: bandcamp

[IV1302]

static form (2013) 10 minutes ~

electric guitar & live electronics

on release, DL only: bandcamp

[IV1301]

held/always/immer/gehalten (2012) 37 minutes ~

electric guitars & electronics

[on release, strictly limited edition 12" vinyl, DL]

[IV1201]

unique pieces (2012-) various durations, various instrumentation

each unique piece is a one-off vinyl single

complete list

held (2012) 7 minutes ~

electric guitar & electronics

or: 3 electric guitars, 3 players; 3 electric guitars, 1 player

first performance, Ian Vine, 29 June 2012, KRAAK gallery, Manchester

[on digital release]

forty works for Richard (2011) 40 minutes ~

electric guitar ensemble [8-20 guitars]

all instruments performed by Ian Vine. Recorded at first moon studio, February-March 2011

[on digital release]

[IV1101]

scores and parts are available directly from www.ianvine.com and can be ordered here: printed music
other scores can be obtained on request

Recordings

still pieces
[IV1801]
CDR/DL, 24 December 2018
ianvine.bandcamp.com
iTunes | Spotify | Apple Music

feedback pieces
[IV1701]
CDR/DL, 9 October 2017
ianvine.bandcamp.com

copies I-V
[IV1601]
CDR/DL, 28 November 2016
ianvine.bandcamp.com

interstices
[IV1502]
CDR/DL, 28 November 2015
ianvine.bandcamp.com

forty objects/forty-five objects
[IV1501]
CDR/DL, 27 March 2015
ianvine.bandcamp.com

frieze/static form/division
[IV1401]
DL, 8 July 2014
CDr, October 2014
ianvine.bandcamp.com

held/always/immer/gehalten
[IV1201]
DL, 10 September 2012
limited edition Vinyl, November 2012
ianvine.bandcamp.com

forty works for Richard (2011)
[IV1101]
DL, 27 July 2011
bandcamp

ocre oscuro (2007) on:
The Jerwood Series 5: Vine/Hall/Meredith
Richard Baker, London Sinfonietta
London Sinfonietta Label
[SINF CD1-2009]
NMC | amazon.co.uk | amazon.com | Presto | mdt

shadow grounds (1999) on:
The Witten In Nomine Broken Consort Book
Ensemble Recherche
Kairos [0012442KAI]
amazon.co.uk | amazon.com | mdt | Presto

writing on water (2000) on:
you are here
Accidental Records [AC07CD]
amazon.co.uk | amazon.com | amazon.com mp3 | iTunes

underpaintings (2005) on:
ep-one
Radius
www.radiusmusic.org/shop